| BIO... AMG All Music Guide
The Squires of the Subterrain
The Squires of the Subterrain springs from the
do-it-yourself, lo-fi
(but certainly not low-quality) pop ingenuity of a single
man,
Christopher Earl (born Christopher Earl Zajkowski), a
fixture on the
1990s underground pop scene of Rochester, NY. Throughout
the
decade, while playing in numerous combos and side
projects,
Earl was creating some quirky and brilliant pop informed
by the
most far-out '60s work of the Beatles, Zombies, Kinks,
and particularly
Brian Wilson, on the sly in his basement (hence the
derivation on
"subterranean") lair and releasing it on a
series of acclaimed
cassettes as the Squires of the Subterrain.
Earl began playing drums in 1979 with a group of high
school friends
that eventually morphed over the course of the next
decade into the
Essentials, and then, by 1992, into five-piece dance-rock
band the
Salamanders; the other primary members were guitarist
Gregory
Townson and bassist Todd Bradley, with Earl's younger
brother and
two of Bradley's siblings joining at various times. The
Salamanders
developed a sizable local following and even had the
opportunity to
play with some members of James Brown's great '60s band.
They
released a debut full-length, Livestock in the Living
Room, in 1992
on After Hours before ultimately dissolving in 1997 when
a couple of
members quit.
In 1998 Townson returned and the trio reformed as rootsy
rock & roll trio
the Hi-Risers. On the side Earl was playing in the '60s
garage-type outfit
the Riviera Playboys. In 1998 he emerged relatively
aboveground for
the first time with the release of his first Squires CD, Pop
in a CD, culled
from a decade's worth of underground cassette releases. A
year later he
left both the Playboys and the Hi-Risers to focus on his
work as the
Squires of the Subterrain.
In 2000 Earl was approached by fellow pop eccentric and
British
psychedelic legend Pete Miller (aka Big Boy Pete) with a
tape of
songs that Miller had originally demoed back in 1966.
Miller suggested
the Squires do the songs up full-blown and also expressed
an interest in
collaborating and reworking lyrics. The project was
recorded at the
end of 2000 with the help of The Hi-Risers and The
Quitters. Since then
the Big Boy Pete/Squire collaboration has continued with
the
co-produced Strawberries on Sunday,
Lemon Malarkey, and the new split CD Rock It
Racket, brand new
Spring 2007.
|

|